Mudhoney Articles

Tucson Citizen

15 August '02


MUDHONEY

Since We've Become Translucent

(Sub Pop)


Any Mudhoney release is going to enter the world enveloped in high expectations, and the Seattle band's eighth LP - the first with intuitive bassist Guy Maddison - doesn't require any allowances. It balances the diversity that comes from working with four different producers and studios with a consistent mood thick with superfuzzy psychedelia.

If radio were once again hospitable to the 8-minute single, the expansive, deliciously textured "Sonic Infusion" would perhaps get its commercial due. As it is, the dense, effects-laden tune caps an album full of the usual solid musicianship Mudhoney delivers and nice doses of experimentation.

Maybe it's the time Mark Arm (vocals, guitar), Steve Turner (guitar) and Dan Peters (drums) spent doing Sonics covers a little while back, but the band for the first time incorporates a horn section into its music, and with rich results. "Where the Flavor Is" gains incredible depth from the windy repeats of the main riff, and the canted horns on "Take It Like a Man" underscore Mudhoney's tongue-in-cheekiness.

Arm's over-the-top, strained vocals wear a bit thin, especially on "In the Winner's Circle," and he's good enough a frontman to wonder how a more varied approach might expand the band's sound. Regardless, "Since We've Become Translucent" has few ebbs of interest. In a just world, the focused "Dyin' for It"; gritty, "Lust for Life"-driven "Inside Job," which was engineered by Jack Endino (Nirvana, Supersuckers); and groovy "The Straight Line" are hit singles. More importantly, all contribute to a cohesive album that should dispel all those Mudhoney break-up rumors.

- Polly Higgins